This joyful “trance dance” music is based on a series of free-form improvisations between David Michael on Celtic harp and Christopher of the Wolves on hang (a steel pan drum). Hearing the hang played for the first time, David became enraptured by the sound. Discovering that the hang's pentatonic scale and clear tones interfaced beautifully with

This joyful “trance dance” music is based on a series of free-form improvisations between David Michael on Celtic harp and Christopher of the Wolves on hang (a steel pan drum). Hearing the hang played for the first time, David became enraptured by the sound. Discovering that the hang's pentatonic scale and clear tones interfaced beautifully with his Celtic harp, the two musicians began to jam and exuberantly recorded hours of their improvisations, also inviting the participation of guitarist Joe Breskin and flutist Randy Mead. The album has been described as sounding like Celtic/Jamaican/Chinese fusion music.